Christina Voskanian

Lessons on How to Live

Travel is fatal to prejudice, bigotry, and narrow-mindedness, and many of our people need it sorely on these accounts. Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth all one’s lifetime.
— Mark Twain

Professor Chater shared this quote with the class to remind us all about the importance of what our Maymester is at its core. Studying a place, its people, its history, and culture and being guided by the fiction that is not only quintessential, but revealing to places and people that have been overlooked and under appreciated. Nothing changes your perspective on life more than experience itself, and I can say without a doubt that visiting a small town called New Roads, changed mine forever. 

Nestled about two hours outside of New Orleans is quaint little town that encompasses the very essence of southern hospitality. The town is called New Roads but is the inspiration for the fictitious town in Ernest Gaines novel, A Lesson Before Dying. Something particularly fascinating about the bookpacking experience is the unpredictable nature of it— we are guided to places because of the novels we read, however, once we get there everything that happens is exciting and unexpected. During our visit, we were fortunate enough to have the opportunity to visit the courthouse and jail cells described in the novel. A novel which tells the story of Jefferson, a twenty-one year old uneducated black field worker who was wrongfully accused and convicted of the robbery and murder of a white man, and sentenced to death by electrocution. Grant Wiggins, a teacher who was given the enormous task of teaching young Jefferson to be a man, questioned

How do people come up with a date and a time to take life from another man? Who made them God?
— Ernest J. Gaines, A Lesson Before Dying
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The experience was extremely emotional and stirring for our group to endure, however, it grounded the novel in history and brought to light the reality of the otherwise fictitious story. Walking through those cells and seeing the prison grounds makes you realize that this was the reality that people used to face, and also reminds us that America, though marketed as the land of the free, houses around 22 percent of the world's prisoners even though the United States only represents about 4.4 percent of the world's population.

Thankfully, the world slowly but surely has undergone change and is overdue for more to occur. One of the most important things Grant ever taught Jefferson was this: 

I think it’s God that makes people care for people, Jefferson. I think it’s God that makes children play and people sing. I believe it’s God that brings loved ones together. I believe it’s God that makes trees bud and food grow out of the earth.
— Ernest J. Gaines, A Lesson Before Dying

Life is about relying on God, and forming human connections and bonds with one another that carry our hopes for love, joy, and celebration. These relationships open our eyes to the wonder of the world and inspire us to open our hearts to loved ones and friends, to savor each moment as it passes, embrace all that life has to offer, and to celebrate the joy of everyday. Grant’s sentiments to Jefferson remind us that life is rich, beauty is everywhere, and that every personal connection has meaning.

There were people along the way that reinforced these beliefs, and I’ll start with telling you a bit about Cotton Roy. Cotton Roy works at a laundromat in Baton Rouge, and very quickly became a friend. As I did my laundry and chatted with Roy, a young boy stumbled in whom Roy introduced as his adopted grandson. He was late for work so Roy began teaching him about the value of hard work, and earning your money instead of just having it given to you. Roy put a hand on his shoulder, stern but kind, and told him that he won’t be there to give him things all the time, so thats why he has to learn and train his body to work hard to achieve what  he wants out of life. On my way out, I offered to give the kid a ride home. He was sweet, but already accustomed to a life that Roy so desperately wanted him to escape. He asked me for money and to buy him some cigars after telling me he was about fifteen years old, an obvious lie considering he didn’t look a day over twelve. It made me think of how Grant felt when he was contemplating whether his teaching affected or changed his students lives in any way, and I wonder if Roy feels that way towards his “adopted grandson.”

And I thought to myself, What am I doing? Am I reaching them at all? They are acting exactly as the old men did earlier. They are fifty years younger, maybe more, but doing the same thing those old men did who never attended school a day in their lives. Is it just a vicious circle? Am I doing anything?
— Ernest J. Gaines, A Lesson Before Dying
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Another meaningful connection was our meeting in New Roads with Sheriff Bud Torres, who is probably the only head of law enforcement that simultaneously has record deals in Nashville. Sheriff Torres was extremely welcoming to our group, tracing back his family history to Spanish and French settlers in the 1590s, giving us a private concert to showcase his awesome music, and even signing his picture for us to keep as a souvenir. Sheriff Bud even wrote a song about Grand Isle, which was the first stop on our adventure, and said he wishes he would had known we were there so he could have come and sung us some country songs by the water. Since I’m newly into country music, I was ecstatic to have another artist to add to my music playlists— especially one as great at Bud! 

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After leaving the courthouse with a smile plastered on my face, I stumbled in to what looks like a mom and pop pharmacy, or “maw maw and paw paw” rather. Immediately me and three others were greeted by the most charming old southern gentlemen I have ever met. After a few minutes of getting to know each other and answering the classic “what are you here for? where are you from? and what are you doing?” questions, Raymond urged us to visit one of his camp sites just steps away from the pharmacy, and even offered to have his son show us around. Nelson, who Raymond likes to refer to as Prince Harry, joined us on the water and gave us a tour of one of his dad’s five campsites on the False River. The town was peaceful and beautiful, but I couldn’t help but wonder what people did when they got bored. Nelson explained, they spend a lot of time fishing, boating— which includes wake-boarding, tubing, jet-skiing, etc., and when they're tired of that, they like to go out to Mississippi where they have hundreds of acres of land, and hunt. A complete different world from what I’m used to… I’ve never fished let alone hunted! Nelson offered to take us out on his boat, before knowing how big our group actually was, but when I told him there were thirteen of us, he replied the more the merrier. You always hear about Southern hospitality but you don’t actually expect to encounter it to such an extent and experience such warmth and kindness from strangers, especially coming for Los Angeles where everyone is just eager to connect with you on Linkdin, instead of in real life. 

Nelson, Raymond's son

Nelson, Raymond's son

Raymond

Raymond

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I’m grateful to Dr. Gaines and his novel for bringing us to this wonderful place, and of course, to Professor Chater for organizing an opportunity for our group to meet with Dr. Gaines in his home and to ask him questions about his life and work. Dr. Gaines said

I wouldn’t be a writer if I didn’t go to California, they weren’t gonna educate me here…my body and mind were there [California], but my soul stayed here [Louisiana]
— Ernest J. Gaines

These interactions with places and people, all teach a lesson in themselves, overwhelmingly that life is about relationships and about caring for each other, and the unique personal journeys and experiences that we all endure. This maymester, cliche as it may sound, offered a valuable lesson on living. Through the adventures, experiences, and friendships that we have made along the way, we have all learned more about ourselves, each other, and life.

Class photo with Dr. Gaines

Class photo with Dr. Gaines

Perfect Places

I alight at Esplanade in a smell of wasting coffee and creosote and walk up Royal Street. The lower Quarter is the best part. The ironwork on the balconies sags like rotten lace. Little French cottages hide behind walls. Through deep sweating carriageways one catches glimpses of courtyards gone to jungle.
— Walker Percy, The Moviegoer
The French Quarter 

The French Quarter 

Courtyard of The Court of Two Sisters

Courtyard of The Court of Two Sisters

New Orleans is a city that is rich with culture and mystery, one of the greatest being the fact that I can walk through the French Quarter today and still smell the coffee, see the iron work that mirrors rotting lace, and tuck into a wondrous courtyard at any given moment like described in Walker Percy's work. It is through Percy's descriptions in his deeply existential and philosophical novel, The Moviegoer, that we are able to see direct images of New Orleans, while simultaneously contemplating life itself. Percy has crafted an utterly unique and complex novel that possesses the melancholic and searching nature of individuals that New Orleans attracts. Binx, the protagonist of the novel, embarks on a metaphysical search to find meaning in his life and to escape the crippling everydayness that people inevitably fall into. He asserts

…(places get used up by rotary and repetitive use) and when I awake, I awake in the grip of everydayness. Everydayness is the enemy.
— Walker Percy, The Moviegoer

My way to escape everydayness is to travel. Being in a new place constitutes new experiences because everything is new, and nothing — not the street signs or smells or sounds people make — are the same as anywhere else. Traveling is like meditation for me, it forces me out of the clatter of everyday life and into the here and now, the exactitude of the present. I love to explore new cities that inspire me and make me feel like life is worth living. Binx is on a search to find meaning, but I’m on a search of my own; I look for perfect places. You may think perfect places don’t exist, but they do, and they’re different for everyone. For Binx, it is

Where Happiness Costs so Little
— Walker Percy, The Moviegoer
Prytania Movie Theatre 

Prytania Movie Theatre 

He feels at ease and fulfilled when he is tucked away comfortably in a movie theatre. But if Binx is a moviegoer, maybe I’m a city-goer. He feels happy in any and every movie, even if its a bad one, and I feel content traveling all over the world; I will travel to any continent, state, or city, and wherever I go, I will love it. Binx will watch anything, and I will go anywhere. He escapes the confines of his reality by staring at a screen for a few hours, and I escape my mine, quite literally, by going somewhere else. But perhaps Binx has a more dramatic existential crisis than my own; while I grow frustrated by repeated days and faces, maybe Binx is frustrated with life and people all together, finding peace only in the perfectly planned and orchestrated Hollywood crafted reality. Binx sees movies on Ferret Street near Tulane, a place warmly refffered to as ‘The Armpit’ by students and moviegoers alike. I couldn’t find ‘The Armpit’ but I was able to see King Creole in a century old theatre. It was a charming 1950s flick that is set in New Orleans, starring Elvis Presley. As I exit the movie theatre I breath in the

Heavy warm air [that] has pushed up from the Gulf
— Walker Percy, The Moviegoer

and can’t help but grow nostalgic to have to leave New Orleans in a few short weeks. After the movie, we stroll through the neighborhoods of the Garden District, a charming upscale suburb tucked away in New Orleans. 

These houses look handsome in the sunlight; they please me with their pretty colors, their perfect lawns and their clean airy garages. But I have noticed that at this hour of dawn they are forlorn. A sadness settles over them like a fog from the lake.
— Walker Percy, The Moviegoer
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I can’t help but pay attention to the sadness that Percy captures, it settles like a storm about to break the clouds, an inescapable June gloom that lingers past the point of comfort. It is unavoidable in this city, and before you know it, a storm will come. 

A warm wind springs up from the south piling up the clouds and bearing with it a far-off rumble, the first thunderstorm of the year. The street looks tremendous. People on the far side seem tiny and archaic, dwarfed by the great sky and the windy clouds like pedestrians in old prints. Am I mistaken or has a fog of uneasiness, a thin glass of malaise, settled on the street? The businessman hurry back to their offices, the shoppers to their cars, the tourists to their hotels.
— Walker Percy, The Moviegoer
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I tuck into a cafe moments before the storm took full effect. Although I have always loved the rain and cloudy days alike, the storms that hit New Orleans are unforgiving and extreme, unlike the few moments of light sprinkling that sets the public into a panic back in California. Binx notes that

There is a danger of slipping clean out of space and time. It is possible to become a ghost and not know whether one is downtown Loews in Denver or suburban Bijou in Jacksonville.
— Walker Percy, The Moviegoer

He is referencing the feeling of losing time and space: a feeling I encountered when visiting Six Flags Amusement Park, damaged and abandoned after Hurricane Katrina. The park exists only in ruins and as a constant reminder that everything is temporary and that devastation lurks just beyond the clouds, willing to strike at any moment. It is a humbling realization and exploring the abandoned park, though illegal and technically considered trespassing, I learned a valuable lesson. 

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Binx criticizes the way that

Other people treasure memorable moments in their lives: the time one climbed the Parthenon at sunrise, the summer night one met a lonely girl in Central Park and achieved with her a sweet and natural relationship, as they say in books.
— Walker Percy, The Moviegoer

and maybe he's right, but the moments people cherish are exclusive to each individual, and while Binx is content seeing movies, I am content when I travel. I for one, cherish the moments of change, moments where I can break through the routine of life and just explore whats out there. There are some places I like more than others, but all the same I am happy just to be somewhere new— happy to be in New Orleans, and happy to be embarking on this adventure, always looking for my Perfect Places. 

Bye Bye, Bayou

The Breaux Bridge Cabin Site 

The Breaux Bridge Cabin Site 

Andrew Chater, jamming with the Cajuns

Andrew Chater, jamming with the Cajuns

Just as quickly as we had arrived in the quirky college town of Baton Rouge, we were leaving— piling into the van and parting ways with the first hotel that actually had fluffy comforters that enveloped you in its sweet softness as you drifted into peaceful bliss. I closed my eyes in anticipation of what was to come next. Sure I was sad to leave, but if we were meant to stay in one place we’d have roots instead of feet. I had googled The Breaux Bridge Cabins we were staying in before leaving Los Angles, and although I had previously been terrified to stay in such a shall we say “humble” setting, my newfound interest in small southern towns left me optimistic. As we pulled into the pebble speckled driveway, Christmas lights illuminated the cabins and welcomed us to the campsite. A rickety old swing set called my name and as I took a seat, my classmate Eric, questioned whether or not the old set “could retain the weight” of me. Two people were already swinging comfortably and I think Eric thought a third could potentially be problematic... he wasn't wrong. That particular swing set managed the three of us, however, when a couple of of us piled onto it later, it inevitably came tumbling down. Ironically, Eric wasn’t there to witness our unfortunate but predicted downfall. We later discovered a brochure advertising the cabins that quoted previous visitors saying things like 'the cabins were of the finest places on Earth' and that 'they rivaled five star resorts.' These statements were so exaggerated that all we could do was laugh and do our best to endure the questionable breakfast options and poor wifi connection.

We instead focused on the real reason that we came to the Breaux Bridge Bayou: to immerse ourselves in the Cajun lifestyle and community— Cajun’s being the French Acadians who migrated from Canada and settled here in the 1700s. We shuffled off to visit a Cajun jam session in town that welcomed us to their performance with quite literal open arms. We were taught about the history of Cajun music, how it differs from Zydeco music, and were even invited to join the band. I played the spoons, Sadie and Lauryn played a one of a kind instrument known as the wash base, and Andrew jumped on the fiddle. Out of appreciation for this kind gesture, Andrew, being British, used his self proclaimed authority to grant nobility to proclaim Jimmy, the two time Grammy-winning accordion player, ‘Lord’ Jimmy. His friends howled with laughter and said that Jimmy was probably more used to hearing “Oh lord, Jimmy.” The Cajuns were quick witted and we laughed at his clever reprise as we sipped espresso and snapped photos of the joyous band.

The Cajuns are filled with pride and values that demonstrate deeply rooted kinship and community. We see this through the lens of Tim Gautreaux’s short story, "Floyd’s Girl," where loving father Floyd, whose daughter has been stolen by her mother's Texan boyfriend, gets her back after a bizarre chase in a story that celebrates blood, the love of family, and the tight-knit community feelings that characterize Cajun culture.

“You don’t come to Grand Crapaud and take no Bergeron child to drag off to no place,” she scolded, threatening him with the walker...”This child belongs with her papa. She’s got LeBlanc in her, and Cancienne way back, and before that, Thibodeaux.”
— Tim Gautreaux, Floyd's Girl

Being in the less than luxurious Bayou cabins illuminates the fact that it is not about where you are, but instead who you're with. The people and the culture of this community demonstrate the importance of community and caring for one another. Cajun culture and fellowship has allowed their way of life to survive the test of time since their expulsion from Acadia in the 1750s. Gautreaux’s story and my experience in the community have left me with the impression that Cajun’s are like the three musketeers: they stand together— all for one and one for all. With that being said, when the safety of Floyd's daughter was put into jeopardy the whole community came out to protect her, and to assert that the little girl was Cajun through and through, and that the blood that ran through her veins represented generations of Cajun families. Floyd considers the reprucussions of his daughter being forced to live a life in Texas with her mom, bearing in mind that

There was nothing wrong with West Texas, but there was something wrong with a child living there who doesn’t belong, who will be haunted for the rest of her days by memories of the ample laps of aunts, daily thunderheads rolling above flat parishes of rice and cane, the musical rattle of French, her prayers, the head-turning squawk of her uncles accordion, the scrape and complaint of her father’s fiddle as he serenades the backyard on weekends. Vibrations of the soul lost for what?
— Tim Gautreaux, Floyd's Girl

The Bayou is rich with Cajun culture and community that keeps their traditions alive and well; they embody vibrations of the soul that make a person feel alive and apart of something bigger than themselves. Although it was a small town and my experiences were brief, by talking to locals and observing their interactions with one another, when I said Bye to the Bayou, I felt reassured that in these small pockets of the United States, history, culture, and community prevails.

Vampire Hunting in New Orleans

I grew up in a devout Christian household that strongly opposed anything and everything relating to the supernatural. While my friends read Harry Potter I read the Bible… okay that is a bit of an exaggeration but my parents really never let us touch the series or anything similar for fear that witchcraft and the Devil would corrupt our mortal souls. It wasn’t till the sixth grade when I began reading The Twilight Saga, much to my parents dismay, that I became obsessed with vampirism and vampire fiction. It was entertaining and I adored it, so much so that I had a poster of Robert Pattinson, who played the main heartthrob in the movie adaptation, hidden in my closet. I know my parents only intended to protect me from evil, but my interest in the supernatural was purely for entertainment purposes and I was not at risk of being possessed by the devil just for reading a little vampire fiction. It did however raise questions of Heaven and Hell, and of goodness and evil and why:

People who cease to believe in God or goodness altogether still believe in the devil... Evil is always possible. And goodness is eternally difficult.
— Anne Rice, Interview with the Vampire

But why is that? Why is it so much harder to have goodness instead of evil? Near the top of the list of the evil and morally damned seems to rest the Vampire. Traditional Vampire depictions promise cold, pale creatures that turn into bats and haunt the streets at night with their fangs bared. They retreat to their coffin resting place before even a hint of sunlight can reach their soul-less exterior, cursed with eternal life and of course, an unquenchable thirst for the blood that pulses through human veins. Vampires have been rumored to lurk the streets of the French Quarter of New Orleans since its beginnings, and New Orleans has always been notorious for murders and missing persons which has earned the title of America's Most Haunted. Interview with the Vampire begins with the story of one of the Louisiana indigo plantations not far from the city, characterized by humid swamp lands and gnarled oaks dripping with Spanish moss which I imagine resembles the Whitney Plantation that stands just an hour outside of New Orleans. The story quickly transitions to the old city, the French Quarter, still largely preserved — and its streets of Creole cottages and colonial villas, with their battered shutters and secluded courtyards. The city is historically charged with voodoo magic thanks to the slave trade and heavily influenced by Catholic mysticism from generations of European immigrants; the combination suggesting all too obviously blood-spilling of a vampiric nature. New York Times best selling author Anne Rice begins weaving her tale in a city long identified with sexual permissiveness that is a plausible home and haven for dashing, irresistible and romanticized blood suckers. 

Whitney Plantation 

Whitney Plantation 

Creole Cottage in The French Quarter 

Creole Cottage in The French Quarter 

In the spring of 1988, I returned to New Orleans, and as soon as I smelled the air, I knew I was home. It was rich, almost sweet, like the scent of jasmine and roses around our old courtyard. I walked the streets, savoring that long lost perfume.
— Anne Rice, Interview with the Vampire
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I took a deep breath searching for the sweet smell of jasmine that the Vampire Louis describes, but instead I am drawn into the aroma of the beignets nestled in warm powdered sugar in front of me. Beignets are essentially glorified doughnuts, nothing is particularly special about them except perhaps that they are native to New Orleans and a ‘must try’ at Cafe du Monde. I dust off the powdered sugar that inevitably lingers on your clothing after even one bite of the flaky French doughnut and begin to head down Decatur Street. There is a vibrant electricity that possesses the streets of this city at all hours: an undeniable charisma that seems to be followed by a cloud of foreboding darkness. The streets can be calm until you turn a corner and are inevitably enveloped in chaos, which makes it no wonder that this city is ideal for the supernatural. A few drops of rain fall from the sky and within moments the sidewalks are flooded and an unforgiving storm erupts in what feels like the blink of an eye.

A summer rain had left the night clean and sparkling with drops of water. I leaned against the end pillar of the gallery, and I thought of what lay before me throughout the world and throughout time, and resolved to go about it delicately and reverently, learning that from each thing which would take me best to another.
— Anne Rice, Interview with the Vampire

Anyone who has ever been caught in a rain storm has experienced the adrenaline of running through the endless droplets searching for shelter, and the overwhelming relief once you find it. You don’t expect the sky to weep so intensely on a ninety degree day but it only reenforces the fact that anything is possible, and that balance must always be restored. Rain is a cooling and  calming force that counteracts the opposing sides of nature like sunshine to maintain an equilibrium or natural balance that sustains our Universe. Everything in the world has a counterpart; for day there is night, for good there is evil, for Satan there is God— contrary to the affirmation of Lestat in Interview with the Vampire where he laments that

This evil, this concept, it comes from disappointment, from bitterness! Don’t you see? Children of Satan! Children of God! Is this the only question you bring to me, is this the only power that obsesses you, so that you must make us gods and devils yourself when the only power that exists is inside ourselves? How could you believe in these old fantastical lies, these myths, these emblems of the supernatural?
— Anne Rice, Interview with the Vampire

Rice’s novel offers probing psychological analyses and pursues philosophical questions such as, What is the nature of good and evil? Does life have intrinsic value, or is it an unfortunate series of accidents mercifully ended? Is immortality the greatest possible gift or the ultimate and inescapable burden? A new perspective is gained on human nature through the lens of nonhuman eyes as our protagonist grapples with these existential struggles. My theme song for my own explorations of life and the city is Step by Vampire Weekend. The song feels uncannily unstuck in time yet nostalgic for the past. The track's atmosphere adds an element of muted, drizzly grandeur to the sharply observed lyrics, which have such a varied vernacular texture that they sound like clipped phrases overheard on a stroll through the city. Near the end of the song, an unbearably poignant observation cuts through the chatter of the lyrics, that

Wisdom’s a gift, but you’d trade it for youth
— Vampire Weekend

which makes you realize that we spend most of our lives striving to be better, smarter, and wiser, yet once we reach a certain point, we are left longing for our youth, and the chance to do it all over again. Whatever answers you are searching for, whether it be truth, wisdom, religion, or even Vampires, savor every moment and strive to find contentment even in the midst of chaos. 

Learning Beyond the Confines of a Classroom

A remote oasis nearly hidden within Louisiana’s expansive shoreline, Grand Isle’s unblemished views of the Gulf of Mexico and seemingly endless miles of beaches makes it the perfect getaway to turn your phone off for a few days to relax, unwind, and of course, read. I had no idea what I was getting myself into when I made the decision to venture off to the South for a month, but the instant I laid my eyes on the curiously stilted houses, inhaled the salty air, and cracked the spine of Kate Chopin’s The Awakening, I knew I had made the right decision. While one of the many joys of reading is to be able to digest the words on the page, perhaps close your eyes and imagine the places that the author is describing— there is something especially wonderful about being able to raise your gaze for a moment and to experience firsthand what the author is describing. The Awakening explores the sensual and emotional awakening of the main character, Edna Pontellier, who is enchanted by the island, ocean, ambiance, and the people which allow her to see life, and more importantly, herself, in a different perspective.

The water of the Gulf stretched out before her, gleaming with the million lights of the sun. The voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.
— Kate Chopin, The Awakening
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Although the novel was written over a century before I was born, I am able to sink my toes into the same sand, listen to the same waves clapping against the shore, and get burned by the same southern sun as Edna fictitiously did in the late nineteenth century. It’s exhilarating to be able to study literature outside the confines of a classroom and to step into a different world and experience a place through the novel. It offers an opportunity to be fully immersed in the physical environment and understand literature to a point that is far deeper than just words on a page. Of course, fiction can tell us a lot about the people and the culture of a specific point in time, but Edna’s experiences in the novel also unveil deeply human struggles that are still prevalent today. Edna describes that:  

There were days when she was unhappy, she did not know why — when it did not seem worth while to be glad or sorry, to be alive or dead; when life appeared to her like a grotesque pandemonium and humanity like worms struggling blindly toward inevitable annihilation. She could not work on such a day, nor weave fancies to store her pulses and warm her blood.
— Kate Chopin, The Awakening

Edna experiences the same state of melancholy and lack of inspiration and creativity that myself, and certainly many others can relate to. The days where you can’t bring yourself to do anything, so you lay in bed all day watching Netflix and procrastinating hoping tomorrow will feel different. Living in Los Angeles, this feeling seems practically inevitable at times. The overflowing population lends itself to unbearable traffic, pollution, and misplaced ambition to “make it” in the city of stars, or should be titled city of cars. Edna, like the rest of us, is searching for experiences that are: 

…warming and brightening [to] the dark places of her soul.
— Kate Chopin, The Awakening

I myself didn’t realize how healing an escape from the almost four million people living in Los Angeles would be. Who would have known that the fifteen hundred smiling southerners living in Grand Isle would be just what the doctor ordered?

The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.
— Kate Chopin, The Awakening
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